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Showing posts with label Fyodor Dostoevsky. Show all posts
Showing posts with label Fyodor Dostoevsky. Show all posts

Saturday, July 3, 2021

The Idiot

The Idiot
 is a novel by the 19th Century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.
    The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity, and guilelessness lead many of the more worldly characters he encounters to mistakenly assume he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the center of the conflicts, desires, passions, and egoism of worldly society, both for the man himself and for those with whom he becomes involved.
    Joseph Frank describes The Idiot as "the most personal of all Dostoevsky's major works, the book in which he embodies his most intimate, cherished, and sacred convictions." It includes descriptions of some of his most intense personal ordeals, such as epilepsy and mock execution, and explores moral, spiritual, and philosophical themes consequent upon them. His primary motivation in writing the novel was to subject his own highest ideal, true Christian love, to the crucible of contemporary Russian society.

Monday, September 12, 2016

Crime and Punishment

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866; it was later published in a single volume. It is the second of Dostoyevsky’s full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his “mature” period of writing.
     Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov, in attempts to defend his actions, argues with the pawnbroker’s money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin. He also commits the murder to test a theory of his dictating some people are naturally capable of such actions, and even have the right to perform them. Several times throughout the novel, Raskolnikov compares himself with Napoleon Bonaparte and shares his belief murder is permissible in pursuit of a higher purpose.